Kathak,
a dance form of north India, derives its name from katha (story) since it
originated from the devotional recitation by story-tellers or kathakars, who
were attached to temples. The kathakars used to tell the story through music
and dance. Douring medieval period it recived special patronage from both the
Mughal and Hindu rulers.
The
Kathak presentation is divided into three distinct parts: the natya (drama),
the nritta (pure dance) and the nritya (expression,mimetic). While nritta is a
logical extension of words and imagery of movements, inclusion of the natya to
the dance gives it substance. Nritya combines dancing and action while
interpreting the story. In delineation of these aspects, the rasa or emotion
charges the atmosphere radiating ananda (bliss) on union with god. Known for
its intricate compositions, rapid chakkars or bhramaris (pirouettes), complex
tatkar (footwork) and stylised facial expressions, Kathak hails from three
gharanas-Banaras, Luckow and jaipur. While the jaipur gharana focuses on
layakari or rhythmic permutations, the Lucknow gharana expounds on bhava or
moods and emotions with graceful movement and delicate placing of hands. This
dance style was influenced by the Awadh royalty.
Kathak, popular form of classical dance, is originally
from north India and is also the national dance of Pakistan. It is a partially
narrative dance form that is characterized by tatkar (footwork), chakkar
(spins), and the innovative use of bhav (feelings). Its present form has been
influenced by various mythological narratives, temple dances, the bhakti
movement, Persian dance, and Mughal courts. Performers draw their lineage from
three major schools of Kathak: the Jaipur gharana, the Lucknow gharana, and the
Benares gharana. There is also a Raigarh gharana that is less prominent and
came later. It combined techniques from the three preceding gharanas but also
became famous for its own distinctive compositions. The name Kathak is derived
from the Sanskrit word katha which means story and kathak Ikathakali.
The
costume of Kathak dancer resembles the dress worn by figures in mughal
miniature paintings and the dance is performed by both men and women.
Inextricably
tied to Hindustani music, the dance revolves around the Radha and krishna
themes. The dancer dances with 200 ghungroos (bells on the feet) and the
musical accompaniments are the sarangi and tabla. This dance form has gliding
movements with no jerky or angular gestures. With a straight back, one arm is
held vertically while the other is extended at shoulder hight. While the body
remains still,the dancer executes fast-paced dance steps. Traditionally a solo
dance, it lends itself to group compositions too, as in Rasleela a vrindaban
which is an expression of operatic treatment. Items revolving around the themes
of nava-rasas (nine moods) and the ashta-nayikas (eight states of maiden in
love) are part of abhinaya.
The
Most well-known performers of Kathak today are Guru Birju Maharaj and Shovana
Narain.
KATHAK COSTUMES:
Kathak ghungroos or ghungrus, small bells tied around a dancer’s ankles, are different from those of other Indian dance styles. They are not affixed to a pad or strip of leather but instead are individually woven along a thick string. Usually there are a hundred bells on each ankle. However, for the initial stages of learning or for children, twenty five and fifty belled strings may be used to allow the dancer to adjust to them. There can be upto a hundred and fifty bells on each ankle but greater figures than this are generally unsuitable because of the distance of the upper bells from impact. This delays the sounds and can also be difficult to control because they are more likely than not to sound at unwanted moments. The costumes of dance have also changed along with dance styles. Traditional, and specifically Hindu, female costumes consist of a sari either worn in an everyday style or tied up to allow greater freedom of movement of dance. However, a lengha choli with an odhni is more common. The Mughal costume for women is an angarkha, similar to a churidar kurta, but tighter fitting above the waist to enhance the lower half during spins. A small peaked cap and bandi, to enhance the bust line, may also be worn along with a belt made of zari or precious stones. The traditional Hindu costume for men is a dhoti tied in the Bengali style that has many pleats. Men may also wear a bandi. The Mughal costume is a kurta that is at least knee length along with a churidaar. Men can also wear an angarkha and older variety costumes can include a small peaked cap as well.
Kathak ghungroos or ghungrus, small bells tied around a dancer’s ankles, are different from those of other Indian dance styles. They are not affixed to a pad or strip of leather but instead are individually woven along a thick string. Usually there are a hundred bells on each ankle. However, for the initial stages of learning or for children, twenty five and fifty belled strings may be used to allow the dancer to adjust to them. There can be upto a hundred and fifty bells on each ankle but greater figures than this are generally unsuitable because of the distance of the upper bells from impact. This delays the sounds and can also be difficult to control because they are more likely than not to sound at unwanted moments. The costumes of dance have also changed along with dance styles. Traditional, and specifically Hindu, female costumes consist of a sari either worn in an everyday style or tied up to allow greater freedom of movement of dance. However, a lengha choli with an odhni is more common. The Mughal costume for women is an angarkha, similar to a churidar kurta, but tighter fitting above the waist to enhance the lower half during spins. A small peaked cap and bandi, to enhance the bust line, may also be worn along with a belt made of zari or precious stones. The traditional Hindu costume for men is a dhoti tied in the Bengali style that has many pleats. Men may also wear a bandi. The Mughal costume is a kurta that is at least knee length along with a churidaar. Men can also wear an angarkha and older variety costumes can include a small peaked cap as well.
Thanks for sharing post.If anyone is searching for bollywood dance classes in Nagpur,then XFactor Nagpur is the best option for you.For more details,contact XFactor Nagpur.
ReplyDeleteYou have just described the culture and dance very well. Thanks for sharing in detail. I hope you share more dance forms and their requirements some other day.
ReplyDelete