Mohiniattam is essentially a feminine dance of
Kerala recorded to have begun between the 3rd and 8th century AD. Legend says
the Lord Vishnu took the form of Mohini to entice the asuras (demons). During
the churning of the ocean, the asuras rushed towards the bowl of nectar. Vishnu
appeared in the feminine form of Mohini to entice the asuras and took the bowl
away.
Literally
meaning the dance of the enchantress, Mohiniyattam was mainly performed in the
temple precincts of Kerala. The most popular padams in Mohiniattam, composed by
Swati Tirunal, describe the heroine's yearning for her lover. Lord Vishnu or
Sri Krishna is more often the hero.
Mohiniattam
was conceived as a form of social diversion. It is essentially a solo dance
performed by women with tender and graceful body movements in the lasy style. Hand gestures play an important role
as a communication system. The dominant emotion in this dance form is shringara or love for the Divine.
The
dancer wears a white sari resplendent in a gold border. On festive occasions,
young girls perform this dance ina circle with simple movements, while singing
songs.
The
repertoirs of Mohiniattam follows closely that of Bharatanatyam. Mohiniattam,
like other forms, follows the Hasthalakshana Deepika as textbook of hand
gestures. The basic steps in this dance form are adavus-toganam,
jaganam,dhaganam and sammisram. The adavus or steps are set to musical
compositions. The varnam has a simple format with greater emphasis on abhinaya and less on nritta or pure dance.
The
performance begins with Ganapati stuti or
invocation followed by mukhachalam, a pure dance item in which the graceful
delineation of charcteristic movements is seen. The repertoire of Mohiniattam
consists of five principal items, starting with cholkettu, then vrnam,
jatiswaram, padam and concluding with tillana. Varnam combines pure and
expressional dance, while padam tests the histrionic talent of a dancer and
tillana reveals her technical artistry. Jayadevas Gita-Govinda is most
popularly performed to depict the divine love of Radha and Sri Krishna.
The
most well-known performers of this dance are Ms Kanak Rele and Ms Bharati
Shivaji.
The costume includes white sari embroidered with bright golden brocade (known as kasavu) at the edges. The dance follows the classical text of Hastha Lakshanadeepika, which has elaborate description of Mudras (gestural expressions by the hand palm and fingers).
The costume includes white sari embroidered with bright golden brocade (known as kasavu) at the edges. The dance follows the classical text of Hastha Lakshanadeepika, which has elaborate description of Mudras (gestural expressions by the hand palm and fingers).
The vocal music of
Mohiniyattam involves variations in rhythmic structure known as chollu.
The lyrics are
in Manipravalam, a mixture
of Sanskrit andMalayalam. The
Mohiniyattam dance is performed to this accompaniment by the subtle gestures
and footwork of the danseuse. The performer uses the eyes in a very coy yet sensual
manner, the purpose being to enchant the mind without enticing the senses.
Mohiniyattam is a traditional South Indian dance form from
Kerala. It is very graceful and is meant to be performed by women. The term
comes from the words mohini, meaning a woman who enchants onlookers and aattam,
which means graceful and sensuous body movements. The entire word means “dance
of the enchantress.” This form of dance has been influenced and has elements
from two South Indian dance forms, Bharatanatyam and Kathakali. The dance
involves the swaying of the hips and gentle movements of the torso. This is
reminiscent of the swinging of palm leaves and gently flowing rivers in Kerala.
There are forty different basic movements. The costume is a white sari with
bright golden embroidery.s that whicDANCE
The costume is mostly white or cream white in color stitched
out of a saree. The border of the saree is in golden color or sometimes also
have colorful border.
Theme
& Format
The theme of Mohiniattam is love and devotion to god. Lord
Vishnu or Krishna is the hero in most of the recitals. The spectators feel His
invisible presence when the heroine or her maid details dreams and ambitions,
through the circular movements, delicate footsteps and subtle expression. The
dancer, with the slow and medium tempos, is able to find adequate space for
improvisations and suggestive bhavas. In format, this dance is similar to
Bharatanatyam. The movements are as graceful as Odissi. Mohiniattam, like many
other dance forms, follows the Hastha Lakshandeepika, as a text book for
Mudras, or hand gestures.
Repertoire
& Steps
Mohiniattam, essentially a solo dance, is nowadays being
performed in groups as well. The repertoire of Mohiniattam closely follows that
of Bharatanatyam. Beginning with Cholkettu, the dancer performs Jathiswaram,
Varnam, Padam and Thillana in a concert. Varnam combines purity and expression
in dance, while Padam tests the histrionic talent of a dancer and Thillana
exposes her technical artistry. The basic dance steps are the Adavus which are
of four kinds: Taganam, Jaganam, Dhaganam and Sammisram. These names are
derived from the nomenclature called Vaittari.
Make-up,
Costume & Music
Mohiniattam maintains realistic make-up and
simple dressing. The costumes used in dance are sober and attractive. The
dancer is attired in a beautiful white and gold-bordered Kasavu saree of
Kerala. The style of vocal music for Mohiniattam has generally been seen as
classical Carnatic. The lyrics are in Manipravala (a mixture of Sanskrit and Malayalam).
Earlier, Thoppi Maddalam and Veena provided the background music of
Mohiniattam. These have been replaced, in recent years, by the Mridangam and
Violin.
nice information
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http://indian-heritage-and-culture.blogspot.in/2013/02/classical-dance-performance-with-divine.html
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http://indian-heritage-and-culture.blogspot.in/2013/03/kerala-mural-paintings.html
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